Wiggle, Wiggle
I love using the Wiggle Expression and use it in pretty much every project I create in After Effects; but for a silly side project we did here at And Now Media I had a really hard time figuring out how to wiggle on only one parameter (X or Y, but not both). I’m sure other designers have had this similar roadblock, so we decided to open our tutorial series with that: how to recreate the vertical wiggle of old film using a one parameter wiggle expression with the slider control!



This After Effects Tutorial covers: 1. Basic Wiggle Expression 2. Wiggle Expression in ONE parameter (x or y) 3. Expression, and the Slider Control

Here’s the code for these expressions:

1. Basic Wiggle Expression:

Wiggle(4,20)

The first number in the parenthesis represents TIME The second number represents the Number of Pixel VARIATION

Wiggle( T, V )

2. Wiggle One Parameter (in this case, the Y): The way I prefer to write it:

[ value [0], wiggle(4,20) [1] ]

Same expression another way:

w=wiggle(4,20);
[ value [0], w [1] ]

A third way:

v=value;
w=wiggle(4,20);
[ v [0], w [1] ]

All the information on how this code works is covered in the tutorial.
Here’s the link to the Old Film Footage on VideoCoPilot.net
Here’s our No Joke video:



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Do you think journalistic excellence is a thing of the past?  The impressive collection of film, television and new media stories that make up the 2011 duPont Award winners will change your mind.

And Now Media was honored to produce the videos and presentations for the duPont Awards ceremony held this month at Columbia University. We had the distinct pleasure to work with 14 outstanding works of journalism that inspire, infuriate, educate and expand our horizons. From a post-quake Haiti to the Tsunami-scarred terrain of Japan, the devastation of war to the disentegration of the human brain, these works show us that not only is excellent journalism still alive, but in these pinched economic times, some news organizations large and small are still providing the resources for superior reporting.

Here is the And Now Media produced overview of the 2011 winners:



For more on the winners, go here: http://vimeo.com/dupontawards/videos
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The staff at And Now Media take their jobs VERY seriously. How seriously? Just watch…

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And Now Vanity Still


You’re a new company. Or you’re launching a new product or service. You want to get your message out there. “Out there” means in front of the eager eyeballs of the whole wired world.

So you’re going to make a video. Video is a powerful tool for getting your brand and message to the world. There are a lot of options – do you want live action with digital effects, or animation? What music works best? How long should this be? But before you get to that point, there are many things you should consider. Here at AndNow Media, we’ve broken the process of answering these questions down into five steps.

First – and this is going to sound simple, but we’re starting with the basics – decide what you want. What is this video (or set of videos) meant to accomplish? You can use video to establish your brand, to boost website traffic, get people to sign up for email updates, make sales, or market yourself and/or your product. So, with your goal in mind, what are the key messages in your video? One to three is plenty, more than that can dilute the message and lessen the effect.

While we’re in the planning stages, now is the time to identify your target audience. Who would your customers be? Age range, gender, median income, all the demographic information you’ve gathered on who you want to reach should go into shaping your video. Authors sometimes write for just one specific person, and some marketers believe the same approach can be useful in targeting your audience. Instead of picturing your viewers as an anonymous group, find someone, one person, who you can identify as a member of your core demo, and make your video with that one person in mind.

Step two involves everyone’s favorite buzzword – “Branding.” Do a quick web search and you’ll come away convinced that the entire Internet wants you to know just how important it is for you to focus on branding. Branding goes beyond creating a cool logo. Branding is the shorthand for who you are, what you (and your company or product) are all about. Your video “speaks” the brand when the elements – style and design, fonts and colors, tone and content – align to form a unified impression on the viewer. You’ve succeeded when you create something that says “THIS is what we’re all about.” And that could be anything: professional, all-business, or more informal. Is your brand classical or rock? Renoir or Jackson Pollock? The choices are endless, but that magic mixture should add up to create the kind of impression you want to make.

Step three is the creative phase – where you’ll take what we’ve covered above and wrangle it all into a coherent plan for your video. This is the step where a creative production house like AndNow Media can offer their services in scripting, storyboarding and otherwise generating the assets that will comprise the video. The creative step is really where the client and the production company get together and sort through goals, concepts, options (live-action, animation, a stylized blend of the two). Talk through your ideas with your production company, and you’ll give them a chance to understand what you’re looking for so they can better deliver it. At the same time, listen to your production team. A producer’s experience can save you the trouble of re-inventing the wheel.

Corporate Puppet Idea Still


Step four – Execution. Now let’s talk about what is actually going to be in your video. The best videos make use of the visual medium. We already know that people sit at desks when they work – we don’t need to see that again. Find imagery and metaphors that communicate your concepts clearly but with a fresh take. Even a video intended to be informative can work much better when stock images of people at desks and dollar signs are not used. Clever delivery of your ideas better engages the viewer, increasing the possibility of succeeding in your video`s goals. If you want to show a company email being sent, show the email as a paper airplane flown to the recipient, for example. A fresh image can make your video stick with a viewer.

Keep your narration focused and you video length short. Studies show most online viewers tune out of a video by 90 seconds. Leave them wanting more, not less. Also, as you hone you script and you vision, keep in mind that video is an emotional medium, better to evoke an emotional connection to your brand or your product rather than explain complicated ideas.

Your video should augment the visual, adding information. Getting the right voice and the right read of a voiceover is as much art as science. Music has an enormous impact on the tone and the pace of a video. For a lot of corporate video, you’ll be licensing music, often from a stock library. Some production houses can also produce music for your video.

Step Five: Distribution and marketing your video. Now you’ve got your video. It delivers your message, on-brand, to your audience. It’s got a style and approach that really make it pop. So, just upload that baby to YouTube and watch the hits roll in, right? Because you’re familiar with rhetorical questions, you’ve guessed that the answer to that is “not quite.” There are as many channels and venues where you can promote your video as you have time to use. All of social media is a screen you can show your video on. Work that rolodex, email list, and LinkedIn profile. Believe in your message, and get it out to the world.

Finally, remember that whatever the kind of video you’re producing is – trailer, promotional, brand video, viral advertisement, commercial spot, corporate recruiting – what you’re doing is telling a story: the story of a new product, a new company, a new idea. Your story.

Good luck!

     
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Canon 5D CameraCanon T3i Camera


Here at And Now Media, we use a variety of cameras to capture and create hi-quality, professional video.  Often, we turn to a camera that is surprisingly affordable for the non-professional: The DSLR.

DSLR stands for “Digital Single Lens Reflex”.  Basically, the camera shoots shockingly beautiful video images in High-Definition, and allows the user to see exactly what they’re shooting through the digital viewfinder, a time-saver and incredible aid to hone your perfect shot.

We usually turn to the Canon 5d ($2500 for the body) or the Canon Rebel T3i (an amazing $799 for the camera body and a simple lens).

Here’s a recent commercial we produced using DSLR Cameras:



If you want to dive in to the DSLR video world, or up your DSLR game, here’s some great resources for the pro, semi-pro, and point and shoot videographers out there.

I’ve set this up intentionally, in my opinion, in order of necessity, when preparing to go PRO as a videographer/filmmaker:  Memory Cards, Audio Recording, Microphones, Lenses.

Memory Cards:

For the T3i, be sure you get a ‘class 10’ memory card to shoot video on your DSLR.  I once got myself a T3i and thought I’d save a few bucks by purchasing a ‘class 6’ card.  BAD IDEA!  It would only record about 6 seconds before the processor in the card got overwhelmed.

We recommend 32 gb cards so you don’t need to change your card that often.   Nowadays flash memory is coming down in price.  As of this listing we’ve seen 32gb class 10 SD cards (for the T3i) for as low as $45 and 32gm compact flash cards (for the 5D) for as low as $80.  A 32gb card will give you about an hour and ½ of HD video (1080p30 or 720p60).  It’s important to note that the Canon DSLRs limit video files to 4gb (about 12 minutes of HD H.264 footage). Once your camera reaches it’s limit the recording will automatically stop.

Also, invest in a card reader.  They’re cheap and reduce wear on your camera when you transfer your files.

Recording Audio:Zoom H4n

DSLRs don’t have great audio recording capabilities.  They are audio recording capable, but the quality is little better than recording into your iPhone or standard camera without significant third party help.

For the consumer videographer who wants to step it up, the RODE VideoMic ($150) is light, easy to carry, and doesn’t require a sound guy.  It plugs directly into the 1/4” jack in the DSLR camera, and will definitely take your sound up a notch.

Most record the audio separately, like traditional film production, and sync the audio later using editing software.  There are many good and affordable digital audio recorders available.  At AndNow, we often use the Zoom H4N ($269), which, in my non-scientific survey – i.e. observing what others are using, this seems to be the pro-sumer’s top choice.  It has two XLR inputs, plus a surprisingly good quality on board microphone, and allows you to set your levels on location and playback your audio.

One of our filmmakers, Paul Robinson, loves the Tascam DR-40 ($200) for his short films, which has comparable audio quality, but lacks some of the additional higher-end recording features of the Zoom.

Microphones: Zoom H4n

Though you can record directly into the Zoom or Tascam devices, we would recommend you connect it to a microphone to step up your game. Believe it or not, quality audio is more important to a good video project that quality video.  Think about it … when you see a horrible quality video, but with stellar sound, it’s watchable. Not so in reverse.

A decent microphone can run you from a couple hundred to thousands. When shooting on location there are typically two ways to capture audio: with lavelier microphones and shotgun microphones.  At AndNow Media, we usually use the Sennheiser Omni-Directional System ($499) for our lavelier microphones. The system includes a transmitter and receiver, plus a lavalier mic.  This lets you place a microphone on your subject and be untethered from the camera.  We also use sennheiser shotgun mics on a boom pole. This requires an audio person to hold the shotgun.

Lenses:

At the consumer level, the lenses that come with the DSLR cameras will do what you want.  However, to REALLY take it to the high-end professional level, we recommend upgrading to better lenses.  These lenses will get you better quality video, depth of field, wide and close up shots, and allow you to maintain focus at a wider variety of ranges.  Additional lenses can be quite expensive, so do your research before you buy.

Here are common lenses we use at AndNow Media:

Sigma EX Zoom lens – 24 mm – 70 mm – F/2.8  - A yeoman lens with good glass usable in a variety of circumstances ($800)

For macro shots – Canon Macro lens – 180 mm – F/3.5 ($1300)

For wide angle - Canon EF Wide-angle zoom lens – 17 mm – 40 mm – F/4.0 ($700)

For telephoto  - Canon Telephoto zoom lens – 75 mm – 300 mm ($150)

Batteries:

Finally, DSLR batteries typically only last around two hours.  We recommend you have at least three on hand even for the shortest shoots (odds are, you didn’t fully charge one of the three).

Canon 5D Battery

Canon T3i Battery

Here are a few additional articles I found helpful:

Choosing a DSLR:
http://nofilmschool.com/dslr/camera/

How DSLRs work:
http://www.luminous-landscape.com/reviews/camcorders/cam-cam.shtml

Using DSLRs for shooting Video:
http://videoproductiontips.com/using-dslr-cameras-for-video

Happy shooting!
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The creative team at And Now Media would like to thank you for a stellar year and wish you a very Happy Holidays and wonderful New Year.

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We at And Now Media thought America lacked a good theme song for that most American of holidays, Thanksgiving. Here you are America. You’re welcome.



Music: John Palacio, Luz Montez, Curtis Peel, Jesse Cervantes
Lyrics: John Palacio, Luz Montez
Animation: Curtis Peel, Jesse Cervantes
Illustration: Guillermo Toston
Producer: And Now Media
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Unthink recently approached us to fully produce a video that would precede the launch of their social network, which was 3 years in the making. With such an ambitious project and a tight deadline we jumped all over the opportunity. Our creative team went to work and began molding and sculpting the idea and before we knew it, we were shooting. Shortly after, we began designing and implementing motion typography and animations to compliment the message of the piece. Take a look at what we were able to create.

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Viral Vid Du Jour

It’s the Ultimate Hitch Cookbook, the recipe for Alfred Hitchcock’s success. A pitch perfect motion graphics spectacle by University of Applied Sciences and Arts students Felix Meyer, Pascal Monaco and Torsten Strer

Hitch from Pascal Monaco on Vimeo.

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Viral Vid du Jour

YouTube sensation Fredde Gredde mashes his singing ability with his compositing prowess for this surreal, catchy cover of the Queen classic.

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